**Title: A Critical Review of “China Salesman”: Steven Seagal’s Underwhelming Role**

In the recent video critique of “China Salesman,” a scathing analysis of Steven Seagal’s performance and the film’s overall execution unfolds. The reviewer opens by lamenting the film’s misleading marketing, highlighting how Seagal’s minimal screen presence contradicts his prominent placement on promotional materials. Described as appearing for mere days on set, Seagal’s lackluster contribution involves casual interactions, cigar smoking, and mumbling through his lines in various indiscernible accents.

The reviewer sharply criticizes the audacity of featuring Seagal prominently in promotional materials, which they argue undermines the efforts of the film’s true main characters, Leeu Yenah and Asold Clisfan. These actors, despite their flawed performances, carry the heart of the film amidst its overstuffed plot and excessive runtime.

Moreover, the reviewer expresses disbelief at the disjointed narrative, where the plot feels overly ambitious yet fails to cohesively deliver its intended impact. They describe moments where the storyline becomes convoluted to the point of viewer confusion, leading to an exasperated realization of extended runtime despite assuming the movie’s conclusion.

Reflecting on the broader context of Seagal’s recent filmography, the reviewer notes a consistent trend where the actor’s roles diminish in significance, likening it to his cameo status in “China Salesman.” They draw parallels to other contemporary films where Seagal’s presence feels inconsequential, underscoring a disconnect between marketing hype and actual on-screen substance.

In contrast, the review acknowledges Mike Tyson’s unexpected prominence in the film, surpassing Seagal in screen time despite initial assumptions of a minor role. However, Tyson’s portrayal as an African general with an unconvincing accent becomes another point of criticism, highlighting the film’s overall struggle with authenticity and coherence.

Ultimately, the reviewer concludes with a lament over “China Salesman,” describing it as a missed opportunity characterized by mismanaged resources and an inability to focus its narrative. They speculate on the future trajectory of Seagal’s career, questioning whether he will continue to participate in projects that fail to leverage his former star power effectively.

In conclusion, the review of “China Salesman” serves as a stark reminder of the challenges facing contemporary action cinema and raises questions about the viability of relying on aging stars like Steven Seagal in roles that no longer resonate with modern audiences.