Travis Kelce has confirmed he will be heading to Europe this summer to support Taylor Swift on her Eras Tour.

The Kansas City Chiefs star, whose fame has skyrocketed since he and Swift went public with their relationship in September, has previously travelled to Argentina, Australia and Singapore to watch his girlfriend in action.

And with plenty of time on his hands before NFL teams get their training camps underway in July, Travis says he has plans to follow Taylor across the pond when she takes her worldwide tour to Europe next month.

When asked if he will be ‘packing his bags’ to join Swift, Kelce told Entertainment Tonight: ‘Oh, you know I gotta go support.’

Taylor Swift and Travis Kelce’s Lake Como trip revealed! Inside their five-day getaway with a late night stroll and a romantic photo-shoot on the water

New details have surfaced about Taylor Swift and Travis Kelce’s romantic getaway to the ultra-luxe Italian destination Lake Como.

Over the past week, the power couple have been spotted cruising on the water and dining at their €20,000 a night villa at the five star Grand Hotel Tremezzo.

Now a source has spilled the specifics of the trip, which allowed Taylor and Travis, both 34, to snag a few ‘relaxing days of rest’ between stops on her Eras Tour.

‘On the first night, they went for a long walk around the lake late at night,’ the source revealed, adding that the stroll took place from 11pm and midnight.

‘It was very romantic. At times they would walk hand in hand. They would also exchange a kiss every so often,’ the insider told People.

New details have surfaced about Taylor Swift and Travis Kelce’s romantic getaway to the ultra-luxe Italian destination Lake Como, where they are pictured boating on Friday

‘On the first night, they went for a long walk around the lake late at night,’ a source revealed , adding that the stroll took place from 11pm and midnight; pictured that night

They arrived at the tourist hot spot on Mother’s Day, May 12, and remained there for nearly five days before leaving on Friday, May 17.

On their last day there, Taylor and Travis indulged in a public display of affection while braving the rain during a boating trip on the lake.

The superstar singer and the Kansas City Chiefs star were seen kissing as they cuddled up to one another on a water taxi.

Now an insider has shared that Taylor ‘got on the boat along the side and then went right away to the front and started taking photos of him.

‘It was clear that she was trying to capture the moment for posterity, and the cute thing was that she didn’t use a phone but a little Olympus camera.’

Their boating excursion lasted nearly two hours and took place by the picturesque village of Bellagio, which is on a promontory that extends into the lake.

After they disembarked, they ate together at a restaurant called Locanda La Tirlindana, located a stone’s throw from the famed Isola Comacina.

Throughout their final day at Lake Como the pair ‘were very affectionate with each other, always  close and hugging,’ the insider said.

Over the past week, the power couple have been spotted cruising on the water and dining at their €20,000 a night villa at the five star Grand Hotel Tremezzo (pictured)

While on the boat, Taylor could be seen staring lovingly into her boyfriend’s eyes as he wrapped his arm around her, before the pair kissed and the singer stroked Travis’ face.

The So High School hitmaker wowed in a busty black dress paired with gold jewellery and a tan trench coat as Travis helped her off the boat.

The NFL star looked stylish in a black and white patterned shirt and black trousers.

Ever the gentleman, Travis was seen holding an umbrella over Taylor’s head as she stepped onto the boat.

The star resumed her tour in Stockholm, Sweden at  Friends Arena on May 17, 18, and 19.

Travis has jetted to Europe with his girlfriend to support her on tour and was seen dancing with Gigi Hadid and Bradley Cooper during the star’s performances in Paris last week.

Taylor was seen blowing kisses at her boyfriend – who was in a VIP box – as she performed track, So High School – which is about their flourishing romance.

The Kansas City Chiefs player reflected on his trip across the pond while chatting to Jason Kelce on Wednesday’s episode of the New Heights podcast.

The star resumed her tour in Stockholm, Sweden at  Friends Arena on May 17, 18, and 19; she is pictured during her performance on Friday the 17th

‘I had a blast at Tay’s show, the new rendition of the Eras Tour – I suggest everyone go see it,’ he gushed.

‘It has her new Tortured Poets Department, a handful of those songs, in the new show, which means there’s a new segment, new lights, new dancing, new everything to the f***ing show,’ he went on.

‘It’s absolutely unbelievable, I enjoyed every bit of it.’

The tight end later defended filming his girlfriend’s performance with his camera flash on. Jason described it as an ‘Ed Kelce move,’ in reference to the brothers’ dad.

‘You know, the settings on the camera … if it’s dark, it’s going to automatically put the flash on. I don’t understand, I was just trying to get some good video, some good memories,’ he laughed.

‘I don’t know if [the shows] are getting better or if I just keep forgetting how they are [but] it was electric in there … It looks like they’re having so much fun up there, and they’re absolutely killing it.’

The three-time Super Bowl champ, who started dating the pop star last summer, has been in attendance at several Eras Tour shows after Swift showed up for him at almost every Chiefs game last season.

The romantic outing comes after Kansas City Chiefs star Butker, 28, received an onslaught from Swift fans for using her lyrics in his controversial commencement speech.

Butker delivered the speech at Benedictine College on May 11 and was immediately slammed for criticizing women, taking aim at the LGBTQ+ community, and criticizing US President Joe Biden for supporting abortion.

Without naming the 14-time Grammy winner, Butker referenced Swift’s relationship with his teammate  Kelce before quoting her 2022 song Bejeweled.

‘As my teammate’s girlfriend says: Familiarity breeds contempt,’ Butker told the graduates. Upon learning about the mention, Swifties quickly jumped on social media to call Butker out for his message.

‘Who’s going to tell Harrison Butker you can’t quote Taylor Swift when being a misogynistic d***head,’ one user wrote on X.

‘The fact that Harrison Butker who plays on the chiefs was this homophobic AND brought up a Taylor Swift lyric to prove his point that women should be homemakers and that abortion is murder is disgusting,’ a third noted.

Ever open about his conservative Catholic worldviews, Butker insisted that women should stay at home and raise children instead of working. He also urged male students to ‘be unapologetic about your masculinity.’

‘For the ladies present today, congratulations on an amazing accomplishment,’ Butker said in his 20-minute address. ‘I want to speak directly to you because I think it is you, the women, who have had the most diabolical lies told to you. How many of you are sitting here now, about to cross this stage, and are thinking about all the promotions and titles you are going to get in your career?’

‘Some of you may go on to lead successful careers in the world, but I would venture to guess that the majority of you are most excited about your marriage and the children you will bring into this world.’

Butker added that his wife Isabelle ‘would be the first to say her life truly started when she started living her vocation as a wife and mother.’ He then praised his partner for ‘[embracing] one of the most important titles of all: Homemaker.’

‘Fight against the cultural emasculation of men,’ He urged the male graduates. ‘Part of what plagues our society is this lie that has been told to you that men are not necessary in the home or our communities. As men, we set the tone of the culture, and when that is absent, disorder, dysfunction, and chaos set in.’

Neither Swift nor Kelce have commented on the controversial speech.

Country Music Television (CMT) has taken a decisive stance by banning Taylor Swift from their channel, asserting that her presence is deemed more unfavorable than that of iconic country star Garth Brooks. The decision, which marks a notable shift in CMT’s programming strategy, has sparked discussions and debates across the music industry and among Swift’s dedicated fan base.

The announcement comes as a surprise to many, considering Swift’s significant contributions to country music earlier in her career and her subsequent evolution into a global pop phenomenon. However, recent developments in Swift’s artistic direction and her outspoken advocacy for social and political causes have evidently clashed with the traditional values espoused by CMT.

The decision to ban Swift from CMT appears to be rooted in a divergence of artistic and ideological viewpoints. While Swift’s music has undoubtedly resonated with millions worldwide, her outspokenness on various issues, including LGBTQ+ rights and feminism, has sometimes positioned her at odds with the more conservative elements within the country music community.

CMT’s comparison of Swift to Garth Brooks, a revered figure in country music known for his chart-topping hits and widespread influence, underscores the magnitude of their decision. For many fans of the genre, Brooks represents a quintessential embodiment of country music traditions and values, making the juxtaposition with Swift particularly striking.

The banishment of Swift from CMT reflects a broader trend of polarization within the music industry, where artists’ personal beliefs and actions increasingly influence their reception among audiences and media platforms. In an era characterized by heightened social consciousness and political activism, artists like Swift have embraced their roles as advocates for change, often at the expense of alienating more conservative audiences.

The decision also raises questions about the role of media platforms in shaping cultural discourse and the boundaries of artistic expression. As gatekeepers of content, networks like CMT wield considerable influence over the visibility and accessibility of artists, effectively shaping public perceptions and tastes. By imposing restrictions on certain artists, they signal their adherence to particular values and standards, thereby shaping the landscape of the music industry.

Swift’s exclusion from CMT may have significant ramifications for her career trajectory and public image within the country music sphere. While she has successfully transitioned to pop music and garnered immense commercial success, her roots in country music remain an integral part of her identity as an artist. The ban from CMT may serve as a symbolic rejection of Swift’s evolution and a reminder of the challenges she faces in reconciling her artistic vision with industry expectations.

For Swift’s fans, the decision by CMT represents a disheartening setback in their efforts to champion her music and advocacy. Many have taken to social media to express their disappointment and frustration, highlighting the deep emotional connection they share with Swift’s music and the profound impact it has had on their lives.

In response to the ban, Swift has yet to issue a formal statement, though her silence on the matter has not gone unnoticed by fans and industry observers. As one of the most influential figures in contemporary music, Swift’s actions and statements carry significant weight, and her response to CMT’s decision may shape perceptions of her resilience and determination in the face of adversity.

In conclusion, CMT’s decision to ban Taylor Swift from their channel underscores the complex interplay between artistry, ideology, and institutional values within the music industry. As artists navigate the ever-evolving landscape of public opinion and cultural norms, they must confront the inherent tensions between artistic freedom and commercial viability. For Swift and her supporters, the ban represents a sobering reminder of the challenges inherent in challenging established norms and advocating for change within the industry.